Monday, October 3, 2011

Marc Quinn

Marc Quinn’s wide-ranging oeuvre displays a preoccupation with the mutability of the body and the dualisms that define human life: spiritual and physical, surface and depth, cerebral and sexual. Using an uncompromising array of materials, from ice and blood to glass, marble or lead, Quinn develops these paradoxes into experimental, conceptual works that are mostly figurative in form.

Quinn’s sculpture, paintings and drawings often deal with the distanced relationship we have with our bodies, highlighting how the conflict between the ‘natural’ and ‘cultural’ has a grip on the contemporary psyche... Other key themes in his work include genetic modification and hybridism. Garden (2000), for instance, is a walk-through installation of impossibly beautiful flowers that will never decay, or his ‘Eternal Spring’ sculptures, featuring flowers preserved in perfect bloom by being plunged into sub-zero silicone. Quinn has also explored the potential artistic uses of DNA, making a portrait of a sitter by extracting strands of DNA and placing it in a test-tube. DNA Garden (2001), contains the DNA of over 75 plant species as well as 2 humans: a re-enactment of the Garden of Eden on a cellular level. Quinn’s diverse and poetic work meditates on our attempts to understand or overcome the transience of human life through scientific knowledge and artistic expression.

via http://www.marcquinn.com



Zombie Boy (Rick Genest) // Bronze




Self Portrait // 4.5 liters of artist's blood




The Selfish Gene // patinated bronze



Moment of Clarity // Orbital-sanded and flap-wheeled lacquered bronze



Another Angel // patinated bronze



Rabbit // bronze and black patina





Buck & Allanah (lifesize) // Orbital sanded and flat wheeled lacquered bronze